June 09, 2010 <Back to Index>
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John Howard Payne (9 June 1791 – 10 April 1852) was an American actor, poet, playwright, and author who had most of his theatrical career and success in London. He is today most remembered as the creator of "Home! Sweet Home!", a song he wrote in 1822 that became widely popular in the United States, Great Britain, and the English-speaking world. After his return to the United States, Payne spent time with the Cherokee Indians. He published accounts' claiming their origin as one of the Ten Lost Tribes of ancient Israel. Payne was appointed American Consul to Tunis in 1842, where he served for nearly 10 years until his death. Payne was a distant cousin of American parlor song composer Carrie Jacobs-Bond, born 10 years after Payne's death. John
Howard Payne was born in New York City on June 9, 1791, one of the
eldest of nine children and seven sons. Soon after his birth his father
moved the family to Boston, where he headed a school. The family also spent time at his grandfather's colonial-era house in East Hampton, New York, which was later preserved in honor of Payne. As
a youth, Payne showed precocious dramatic talent, but his father tried
to discourage that path. After the death of an older brother, his
father installed young Payne, age 13, in the brother's position at the
same accountants' firm in New York, but the boy did not have a mind for
commerce. His interest in theater was irrepressible. He published the first issue of The Thespian Mirror, a journal of theater criticism, at age 14. Soon after that, he wrote his first play, Julia: or the Wanderer, a comedy in five acts.
Its language was racy, and it closed quickly. Payne then caught the
attention of John E. Seaman, a wealthy New Yorker who recognized his
talent and paid for his education at Union College. There Payne started a college paper called the Pastime,
which he kept up for several issues. When Payne was 16, his mother died
and his father's business failed. Payne thought he could best assist
his family by leaving college and going on stage, and made his debut as
Young Norval at the old Park Theatre in New York on February 24, 1800.
He was a brilliant success, and played in other major cities to
acclaim. In a brief interval away from the theatre, he founded the
Athenaeum, a circulating library and reading room. After Payne's father's death, the English tragedian George Frederick Cooke came to America and became interested in the young actor, appearing with him in King Lear at New York's Park Theatre. He encouraged Payne to go to London for its theatre world, which the young man did in February 1813. Payne's first engagements as an actor in London were very successful, and he played at Drury Lane and Covent Garden theatres. Payne also went to Paris, where he attended much theater and met people
in the circles. He decided to try writing, which he did easily and
quickly, both in English, and translating from French to English. He
was paid to translate several French plays for production in London. In
1818 he wrote his own play Brutus,
which he sold. Wanting to branch out, he produced some of his own
pieces at Sadler's Wells Theatre, but as a theater manager, struggled
to make ends meet. In 1823 Payne worked on a play proposal with Charles Kemble,
the manager of Covent Garden Theatre, out of a number he sold to him as
a group for £230. Because the one Kemble chose was being produced
elsewhere, Payne easily changed the plot, added lyrics for songs and
duets to it, and transformed it into an opera he called Clari; or the Maid of Milan.
This included his poem and ballad "Home, Sweet Home", which helped make
the opera an instantaneous success and Payne a famous man. Sir Henry Bishop wrote the music, based on an Italian folk song. When
the song was published separately, it quickly sold 100,000 copies. The
publishers made a considerable profit from it, net £2100 in the
first year, and the producer of the opera did well. Only Payne did not
really profit by its success. "While his money lasted, he was a prince of bohemians", but had little business sense. While in Europe, Payne was reportedly romantically infatuated with Mary Shelley, the author of Frankenstein. She had nothing but a literary interest in him. Payne never married. After spending nearly twenty years in Europe, Payne returned to New York and the United States in 1832. Friends arranged a benefit concert in New York to try to help him give him a stake. He also toured the country with artist John James Audubon. Payne developed a strong interest in the Cherokee Indians, whose fate had become a public issue. Acknowledged as one of the Five Civilized Tribes,
they had developed self-government, a constitution, and written
language, but they were under extreme pressure from the US government
for removal to the trans-Mississippi West from the southeastern United
States. Payne was taken by their story, and lobbied Congress against
their removal. In 1836 Payne went to Georgia as the guest of the Cherokee Chief John Ross,
who opposed removal. There were great tensions within the tribe and
state at the time. Major Ridge supported removal. Payne visited with
Ross to collect and record the myths, religious traditions, foodways
and other aspects of the Cherokees. While staying with Ross, Payne was
arrested and briefly imprisoned by Georgia authorities as his arrival
was considered suspicious. Intercession by General Edward Harden of Athens, to whom Payne had a letter of introduction, accomplished his release. Payne
reported his findings in popular newspaper articles, and also had
considerable work that was never published. Payne's collected,
unpublished papers from the 1830s have served as important source
material for scholars. The
writer had visited with the nation as it was on the verge of dramatic
change. In 1838 most of the Cherokee did go west on the Trail of Tears.
Removal meant the Cherokee Nation was split and transformed, with
eastern and western groups developing independently after that time. The work of archaeologists, linguists and anthropologists has confirmed that Cherokee were descended from prehistoric indigenous peoples of North America. Scholars have concluded that these prehistoric peoples originated from eastern Asia and migrated across the Bering Straits to
North America more than 15,000 years ago. Although Payne's theory of
Cherokee origins related to Biblical tribes has been replaced by the
facts of Asian origin, his unpublished papers are useful to researchers
as a rich source of information on the culture of the Cherokee in the
early decades of the 19th century.
In 1842 President John Tyler appointed Payne as the American Consul in Tunis, due in part from support from statesman William Marcy and Secretary of State Daniel Webster, who were moved by his famous song and wanted to help him. Payne served twice in North Africa (the area of present-day Tunisia). He died in Tunis in 1852 and was buried there in St. George's Protestant Cemetery. Payne's song was widely sung during the American Civil War, when it was treasured by troops of both the North and the South. It was also a particular favorite of President Abraham Lincoln. He asked Italian opera star Adelina Patti to
perform it for him and his wife when she appeared at the White House in
1862. The Lincolns were still mourning the death of their son Willie. In
February 1883, Payne's ashes were disinterred and brought to the U.S.
by steamer, at the suggestion and expense of the philanthropist W.W.
Corcoran of Washington, DC, who arranged reinterment in his home city. (He was the founder of the Corcoran Gallery.)
In New York, the coffin with Payne's ashes was received with honors and
transported by black funeral hearse to City Hall, where it was held in
state while several thousand people visited the hall to pay respects. For a day all the papers were filled again with the story of his life, for "his song is that one touch of nature which makes the world kin. It is the frailest thread of which fame was ever spun." The
ashes were transported to Washington, DC, and held for services on the
anniversary of Payne's birth in June. Arrangements were made for a
memorial service to mark the reinterment of Payne's ashes at Oak Hill Cemetery in the Georgetown neighborhood. (Corcoran had created this cemetery, where many Civil War veterans were buried.) The memorial service was held on the 91st anniversary of Payne's birth and was attended by President Chester A. Arthur, members of his cabinet, the State Department and the Supreme Court; the Marine Band, and a crowd of 2,000-3,000, filled with literary and other prominent people. Organizers arranged for a full choir to sing "Home, Sweet Home." |