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Alexander Porfiryevich Borodin (Russian: Алекса́ндр Порфи́рьевич Бороди́н) (12 November [O.S. 31 October] 1833 – 27 February [O.S. 15 February] 1887) was a Russian Romantic composer and a successful chemist, of Georgian - Russian parentage. He was a member of the group of composers called The Five (or "The Mighty Handful"), who were dedicated to producing a specifically Russian kind of art music. He is best known for his symphonies, his two string quartets, and his opera Prince Igor. Music from Prince Igor and his string quartets was later adapted for the musical Kismet. Borodin was born in Saint Petersburg, the illegitimate son of a Georgian noble, Luka Gedevanishvili (Georgian: ლუკა სიმონის ძე გედევანიშვილი) and a Russian mother, the 25 year old Evdokia Konstantinovna Antonova (Евдокия Константиновна Антонова), who had him registered instead as the son of one of his serfs, Porfiry Borodin. As a boy he received a good education, including piano lessons. He eventually earned a doctorate in medicine at the Medico–Surgical Academy, the later home to Ivan Pavlov, and pursued a career in chemistry. He began taking lessons in composition from Mily Balakirev in 1862, while a professor of chemistry at the Academy of Medicine and married Ekaterina Protopopova, a pianist, the following year. Music remained a secondary avocation for Borodin outside his main career as a chemist and physician. He died suddenly during a ball from heart failure in 1887 and was interred in Tikhvin Cemetery at the Alexander Nevsky Monastery, in Saint Petersburg. In his chemical profession Borodin gained great respect, being particularly noted for his work on aldehydes. Between 1859 and 1862 Borodin held a postdoctorate in Heidelberg. He worked in the laboratory of Emil Erlenmeyer working on benzene derivatives. He also spent time in Pisa, working on organic halogens. One experiment published in 1862 described the first nucleophilic displacement of chlorine by fluorine in benzoyl chloride. A related reaction known to the west as the Hunsdiecker reaction published in 1939 by the Hunsdieckers was promoted by the Soviet Union as the Borodin reaction. In 1862 he returned to the Medico–Surgical Academy. There he worked on the self-condensation of small aldehydes with publications in 1864 and 1869 and in this field he found himself competing with August Kekulé. Borodin is also credited with the discovery of the Aldol reaction together with Charles-Adolphe Wurtz. In 1872 he announced to the Russian Chemical Society the discovery of a new by-product in aldehyde reactions with properties like that of an alcohol and he noted similarities with compounds already discussed in publications by Wurtz from the same year. He published his last full article in 1875 on reactions of amides and his last publication concerned a method for the identification of urea in animal urine. His
son-in-law and successor was fellow chemist A. P. Dianin. Borodin
met Mily Balakirev in
1862. While under his tutelage in composition he began his Symphony No.
1 in E flat major; it was first performed in 1869, with Balakirev conducting.
In that same year Borodin started on his Symphony No. 2 in B minor,
which was not particularly successful at its premiere in 1877 under Eduard
Nápravník, but with some minor re-orchestration
received a successful performance in 1879 by the Free Music School under Rimsky-Korsakov's direction. In 1880 he
composed the popular symphonic poem In the Steppes
of Central Asia.
Two years later he began composing a third symphony, but left it
unfinished at his death; two movements of it were later completed and
orchestrated by Glazunov. In 1869,
Borodin became distracted from initial work on the second symphony by
preoccupation with the opera Prince Igor,
which is seen by some to be his most significant work and one of the
most important historical Russian operas. It contains the Polovtsian
Dances,
which are often performed as a stand-alone concert work as probably
Borodin's best known composition. Borodin left the opera (and a few
other works) incomplete at his death. Prince
Igor was completed
posthumously by Rimsky - Korsakov and Glazunov. No other
member of the Balakirev circle identified himself so openly with absolute music as Borodin did in his two
string quartets. Himself a cellist,
he was an enthusiastic chamber music player, an interest deepened
during his chemical studies in Heidelberg between 1859 and 1861. This
early period yielded, among other chamber works, a string sextet and a
piano quintet. In thematic structure and instrumental texture he based
his pieces on those of Felix
Mendelssohn. In 1875
he started on his First String Quartet, much to the displeasure of Mussorgsky and Vladimir Stasov.
That Borodin did so in the company of The Five, which was hostile to
chamber music, speaks to his independence. From the First Quartet on he
displayed mastery in the form. His Second Quartet,
in which his strong lyricism is represented in the popular "Nocturne"
followed in 1881. The First Quartet is richest in changes of mood. The
Second Quartet has a more uniform atmosphere and expression. Borodin's
fame outside the Russian Empire was made possible during
his lifetime by Franz Liszt,
who arranged a performance of the Symphony No. 1 in Germany in 1880, and by Comtesse de
Mercy-Argenteau in
Belgium and France. His music is noted for its strong lyricism and rich
harmonies. Along with some influences from Western composers, as a
member of The Five his
music exudes also an undeniably Russian flavor. His passionate music
and unusual harmonies proved to have a lasting influence on the younger
French composers Debussy and Ravel (in homage, the latter
composed in 1913 a piano piece entitled "À la manière de
Borodine"). The
evocative characteristics of Borodin's music made possible the
adaptation of his compositions in the 1953 musical Kismet,
by Robert Wright and George Forrest,
perhaps most notably in the song, "Stranger in
Paradise". In 1954, Borodin was posthumously awarded a Tony Award for this show. |