• City of Venice, 421
• City of Vercelli, 600 B.C.
  

 

Venice is the capital of the Veneto region. In 2009, there were 270,098 people residing in Venice's comune (the population estimate of 272,000 inhabitants includes the population of the whole Comune of Venezia; around 60,000 in the historic city of Venice (Centro storico); 176,000 in Terraferma (the Mainland), mostly in the large frazioni of Mestre and Marghera; 31,000 live on other islands in the lagoon). Together with Padua and Treviso, the city is included in the Padua - Treviso - Venice Metropolitan Area (PATREVE) (population 1,600,000).

The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city historically was the capital of the Venetian Republic. Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water", "City of Masks", "City of Bridges", "The Floating City" and "City of Canals". Luigi Barzini described it in The New York Times as "undoubtedly the most beautiful city built by man". Venice has also been described by the Times Online as being one of Europe's most romantic cities.

The Republic of Venice was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain, and spice) and art in the 13th century up to the end of the 17th century. This made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.

While there are no historical records that deal directly with the founding of Venice, tradition and the available evidence have led several historians to agree that the original population of Venice consisted of refugees from Roman cities near Venice such as Padua, Aquileia, Treviso, Altino and Concordia (modern Portogruaro) and from the undefended countryside, who were fleeing successive waves of Germanic and Hun invasions. Some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae ("lagoon dwellers"). The traditional founding is identified with the dedication of the first church, that of San Giacomo at the islet of Rialto (Rivoalto, "High Shore"), which is said to have been at the stroke of noon on 25 March 421.

The last and most enduring immigration into the north of the Italian peninsula was that of the Lombards in 568, leaving the Eastern Roman Empire a small strip of coast in the current Veneto, including Venice. The Roman / Byzantine territory was organized as the Exarchate of Ravenna, administered from that ancient port and overseen by a viceroy (the Exarch) appointed by the Emperor in Constantinople, but Ravenna and Venice were connected only by sea routes and with the Venetian's isolated position came increasing autonomy. New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, dated from c. 568.

The traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, Paul's magister militum (General; literally, "Master of Soldiers.") In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the iconoclastic controversy at the urging of Pope Gregory II. The Exarch was murdered and many officials put to flight in the chaos. At about this time, the people of the lagoon elected their own leader for the first time, although the relationship of this ascent to the uprisings is not clear. Ursus would become the first of 117 "doges" (doge is the Venetian dialect development of the Latin dux ("leader"); the corresponding word in English is duke, in standard Italian duce). Whatever his original views, Ursus supported Emperor Leo's successful military expedition to recover Ravenna, sending both men and ships. In recognition, Venice was "granted numerous privileges and concessions" and Ursus, who had personally taken the field, was confirmed by Leo as dux and given the added title of hypatus (Greek for "Consul").

In 751, the Lombard King Aistulf conquered most of the Exarchate of Ravenna, leaving Venice a lonely and increasingly autonomous Byzantine outpost. During this period, the seat of the local Byzantine governor (the "duke / dux", later "doge"), was situated in Malamocco. Settlement on the islands in the lagoon probably increased in correspondence with the Lombard conquest of other Byzantine territories as refugees sought asylum in the lagoon city. In 775 / 776, the episcopal seat of Olivolo (Helipolis) was created. During the reign of duke Agnello Particiaco (811 – 827), the ducal seat was moved from Malamocco to the highly protected Rialto, the current location of Venice. The monastery of St. Zachary and the first ducal palace and basilica of St. Mark, as well as a walled defense (civitatis murus) between Olivolo and Rialto, were subsequently built here. Winged lions, which may be seen throughout Venice, are a symbol for St. Mark.

Charlemagne sought to subdue the city to his own rule. He ordered the Pope to expel the Venetians from the Pentapolis along the Adriatic coast, and Charlemagne's own son Pepin of Italy, king of the Lombards under the authority of his father, embarked on a siege of Venice itself. This, however, proved a costly failure. The siege lasted six months, with Pepin's army ravaged by the diseases of the local swamps and eventually forced to withdraw. A few months later, Pepin himself died, apparently as a result of a disease contracted there. In the aftermath, an agreement between Charlemagne and Nicephorus in 814 recognized Venice as Byzantine territory and granted the city trading rights along the Adriatic coast.

In 828, the new city's prestige was raised by the acquisition of the claimed relics of St. Mark the Evangelist from Alexandria, which were placed in the new basilica. The patriarchal seat was also moved to Rialto. As the community continued to develop and as Byzantine power waned, it led to the growth of autonomy and eventual independence.

From the ninth to the twelfth century Venice developed into a city state (an Italian thalassocracy or Repubblica Marinara, the other three being Genoa, Pisa and Amalfi). Its strategic position at the head of the Adriatic made Venetian naval and commercial power almost invulnerable. With the elimination of pirates along the Dalmatian coast, the city became a flourishing trade center between Western Europe and the rest of the world (especially the Byzantine Empire and the Islamic world).

The Republic of Venice seized a number of places on the eastern shores of the Adriatic before 1200, mostly for commercial reasons, because pirates based there were a menace to trade. The Doge already carried the titles of Duke of Dalmatia and Duke of Istria. Later mainland possessions, which extended across Lake Garda as far west as the Adda River, were known as the "Terraferma", and were acquired partly as a buffer against belligerent neighbors, partly to guarantee Alpine trade routes, and partly to ensure the supply of mainland wheat, on which the city depended. In building its maritime commercial empire, the Republic dominated the trade in salt, acquired control of most of the islands in the Aegean, including Cyprus and Crete, and became a major power broker in the Near East. By the standards of the time, Venice's stewardship of its mainland territories was relatively enlightened and the citizens of such towns as Bergamo, Brescia and Verona rallied to the defense of Venetian sovereignty when it was threatened by invaders.

Venice remained closely associated with Constantinople, being twice granted trading privileges in the Eastern Roman Empire, through the so-called Golden Bulls or 'chrysobulls' in return for aiding the Eastern Empire to resist Norman and Turkish incursions. In the first chrysobull Venice acknowledged its homage to the Empire but not in the second, reflecting the decline of Byzantium and the rise of Venice's power.

Venice became an imperial power following the Fourth Crusade, which, having veered off course, culminated in 1204 by capturing and sacking Constantinople and establishing the Latin Empire. As a result of this conquest considerable Byzantine plunder was brought back to Venice. This plunder included the gilt bronze horses from the Hippodrome of Constantinople, which were originally placed above the entrance to St Mark's cathedral in Venice, although the originals have been replaced with replicas and the originals are now stored within the basilica. Following the fall of Constantinople the former Roman Empire was partitioned among the Latin crusaders and the Venetians. Venice subsequently carved out a sphere of influence in the Mediterranean known as the Duchy of the Archipelago, and captured Crete.

The seizure of Constantinople would ultimately prove as decisive a factor in ending the Byzantine Empire as the loss of the Anatolian themes after Manzikert. Though the Byzantines recovered control of the ravaged city a half century later, the Byzantine Empire was terminally weakened, and existed as a ghost of its old self until Sultan Mehmet The Conqueror took the city in 1453.

Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce. During this time, Venice's leading families vied with each other to build the grandest palaces and support the work of the greatest and most talented artists. The city was governed by the Great Council, which was made up of members of the noble families of Venice. The Great Council appointed all public officials and elected a Senate of 200 to 300 individuals. Since this group was too large for efficient administration, a Council of Ten (also called the Ducal Council or the Signoria), controlled much of the administration of the city. One member of the great council was elected "Doge", or duke, the ceremonial head of the city, who normally held the title until his death.

The Venetian governmental structure was similar in some ways to the republican system of ancient Rome, with an elected chief executive (the Doge), a senate - like assembly of nobles, and a mass of citizens with limited political power, who originally had the power to grant or withhold their approval of each newly elected Doge. Church and various private properties were tied to military service, though there was no knight tenure within the city itself. The Cavalieri di San Marco was the only order of chivalry ever instituted in Venice, and no citizen could accept or join a foreign order without the government's consent. Venice remained a republic throughout its independent period and politics and the military were kept separate, except when on occasion the Doge personally headed the military. War was regarded as a continuation of commerce by other means (hence, the city's early production of large numbers of mercenaries for service elsewhere, and later its reliance on foreign mercenaries when the ruling class was preoccupied with commerce).

The chief executive was the Doge, who theoretically held his elective office for life. In practice, several Doges were forced by pressure from their oligarchical peers to resign the office and retire into monastic seclusion when they were felt to have been discredited by perceived political failure.

Though the people of Venice generally remained orthodox Roman Catholics, the state of Venice was notable for its freedom from religious fanaticism and it enacted not a single execution for religious heresy during the Counter - Reformation. This apparent lack of zeal contributed to Venice's frequent conflicts with the Papacy. In this context, the writings of the Anglican Divine, William Bedell, are particularly illuminating. Venice was threatened with the interdict on a number of occasions and twice suffered its imposition. The second, most famous, occasion in 1606, by order of Pope Paul V.

Venetian ambassadors sent home, still extant, secret reports of the politics and rumors of European courts, providing fascinating information to modern historians.

The newly invented German printing press spread rapidly throughout Europe in the fifteenth century, and Venice was quick to adopt it. By 1482 Venice was the printing capital of the world, and the leading printer was Aldus Manutius, who invented the concept of paperback books that could be carried in a saddlebag. His Aldine Editions included translations of nearly all the known Greek manuscripts of the era.

Venice's long decline started in the 15th century, when it first made an unsuccessful attempt to hold Thessalonica against the Ottomans (1423 – 1430). It also sent ships to help defend Constantinople against the besieging Turks (1453). After Constantinople fell to Sultan Mehmet II he declared war on Venice. The war lasted thirty years and cost Venice much of its eastern Mediterranean possessions. Next, Christopher Columbus discovered the New World. Then Portugal found a sea route to India, destroying Venice's land route monopoly. France, England and Holland followed them. Venice's oared galleys were at a disadvantage when it came to traversing the great oceans, and therefore Venice was left behind in the race for colonies.

The Black Death devastated Venice in 1348 and once again between 1575 and 1577. In three years the plague killed some 50,000 people. In 1630, the plague killed a third of Venice's 150,000 citizens. Venice began to lose its position as a center of international trade during the later part of the Renaissance as Portugal became Europe's principal intermediary in the trade with the East, striking at the very foundation of Venice's great wealth, while France and Spain fought for hegemony over Italy in the Italian Wars, marginalizing its political influence. However, the Venetian empire was a major exporter of agricultural products and, until the mid 18th century, a significant manufacturing center.

By 1303, crossbow practice had become compulsory in the city, with citizens training in groups. As weapons became more expensive and complex to operate, professional soldiers were assigned to help work merchant sailing ships and as rowers in galleys. The company of "Noble Bowmen" was recruited in the later 14th century from among the younger aristocracy and served aboard both war galleys and as armed merchantmen, with the privilege of sharing the captain's cabin.

Though Venice was famous for its navy, its army was equally effective. In the 13th century, most Italian city states already were hiring mercenaries, but Venetian troops were still recruited from the lagoon, plus feudal levies from Dalmatia (the very famous Schiavoni or Oltremarini) and Istria. In times of emergency, all males between seventeen and sixty years were registered and their weapons were surveyed, with those called to actually fight being organized into companies of twelve. The register of 1338 estimated that 30,000 Venetian men were capable of bearing arms; many of these were skilled crossbowmen. As in other Italian cities, aristocrats and other wealthy men were cavalrymen while the city's conscripts fought as infantry.

By 1450, more than 3,000 Venetian merchant ships were in operation. Most of these could be converted when necessary into either warships or transports. The government required each merchant ship to carry a specified number of weapons (mostly crossbows and javelins) and armor; merchant passengers were also expected to be armed and to fight when necessary. A reserve of some 25 (later 100) war galleys was maintained in the Arsenal. Galley slaves did not exist in medieval Venice, the oarsmen coming from the city itself or from its possessions, especially Dalmatia. Those from the city were chosen by lot from each parish, their families being supported by the remainder of the parish while the rowers were away. Debtors generally worked off their obligations rowing the galleys. Rowing skills were encouraged through races and regattas.

Early in the 15th century, as new mainland territories were expanded, the first standing army was organized, consisting of condottieri on contract. In its alliance with Florence in 1426, Venice agreed to supply 8,000 cavalry and 3,000 infantry in time of war, and 3,000 and 1,000 in peacetime. Later in that century, uniforms were adopted that featured red-and-white stripes, and a system of honors and pensions developed. Throughout the 15th century, Venetian land forces were almost always on the offensive and were regarded as the most effective in Italy, largely because of the tradition of all classes carrying arms in defense of the city and official encouragement of general military training.

The command structure in the army was different from that of the fleet. By ancient law, no nobleman could command more than twenty - five men (to prevent the possibility of sedition by private armies), and while the position of Captain General was introduced in the mid 14th century, he still had to answer to a civilian panel of twenty Savi or "wise men". Not only was efficiency not degraded, this policy saved Venice from the military takeovers that other Italian city states so often experienced. A civilian commissioner (not unlike a commissar) accompanied each army to keep an eye on things, especially the mercenaries. The Venetian military tradition also was notably cautious; they were more interested in achieving success with a minimum expense of lives and money than in the pursuit of glory.

The Republic lost independence when Napoleon Bonaparte conquered Venice on 12 May 1797 during the First Coalition. The French conqueror brought to an end the most fascinating century of its history: during the 18th century Venice became perhaps the most elegant and refined city in Europe, greatly influencing art, architecture and literature. Napoleon was seen as something of a liberator by the city's Jewish population, although it can be argued they had lived with fewer restrictions in Venice. He removed the gates of the Ghetto and ended the restrictions on when and where Jews could live and travel in the city.

Venice became Austrian territory when Napoleon signed the Treaty of Campo Formio on 12 October 1797. The Austrians took control of the city on 18 January 1798. It was taken from Austria by the Treaty of Pressburg in 1805 and became part of Napoleon's Kingdom of Italy, but was returned to Austria following Napoleon's defeat in 1814, when it became part of the Austrian held Kingdom of Lombardy - Venetia. In 1848 – 1849 a revolt briefly reestablished the Venetian Republic under Daniele Manin. In 1866, following the Third Italian War of Independence, Venice, along with the rest of the Veneto, became part of the newly created Kingdom of Italy.

During the Second World War, the historic city was largely free from attack, the only aggressive effort of note being Operation Bowler, a precision strike on the German naval operations there in 1945. However the industrial areas in Mestre and Marghera and the railway lines to Padua, Trieste and Trento were repeatedly bombed. On 29 April 1945 New Zealand troops under Freyberg reached Venice and relieved the city and the mainland, which were already in partisan hands.

The buildings of Venice are constructed on closely spaced wooden piles. Most of these piles are still intact after centuries of submersion. The foundations rest on the piles, and buildings of brick or stone sit above these footings. The piles penetrate a softer layer of sand and mud until they reach a much harder layer of compressed clay.

Submerged by water, in oxygen - poor conditions, wood does not decay as rapidly as on the surface. It is petrified as a result of the constant flow of mineral rich water around and through it, so that it becomes a stone - like structure.

Most of these piles were made from trunks of alder trees, a wood noted for its water resistance. The alder came from the western - most part of today's Slovenia (resulting in the barren land of the Kras region), in two regions of Croatia, Lika and Gorski kotar (resulting in the barren slopes of Velebit) and south of Montenegro. Leonid Grigoriev has stated that Russian larch was imported to build some of Venice's foundations. Larch is also used in the production of Venice turpentine.

The city is often threatened by flood tides pushing in from the Adriatic between autumn and early spring. Six hundred years ago, Venetians protected themselves from land - based attacks by diverting all the major rivers flowing into the lagoon and thus preventing sediment from filling the area around the city. This created an ever deeper lagoon environment.

In 1604, to defray the cost of flood relief Venice introduced what could be considered the first example of a 'stamp tax'. When the revenue fell short of expectations in 1608, Venice introduced paper with the superscription 'AQ' and imprinted instructions, which was to be used for 'letters to officials'. At first, this was to be a temporary tax, but it remained in effect until the fall of the Republic in 1797. Shortly after the introduction of the tax, Spain produced similar paper for general taxation purposes, and the practice spread to other countries.

During the 20th century, when many artesian wells were sunk into the periphery of the lagoon to draw water for local industry, Venice began to subside. It was realized that extraction of water from the aquifer was the cause. The sinking has slowed markedly since artesian wells were banned in the 1960s. However, the city is still threatened by more frequent low level floods (called Acqua alta, "high water") that creep to a height of several centimeters over its quays, regularly following certain tides. In many old houses the former staircases used to unload goods are now flooded, rendering the former ground floor uninhabitable.

Some recent studies have suggested that the city is no longer sinking, but this is not yet certain; therefore, a state of alert has not been revoked. In May 2003 the Italian Prime Minister Silvio Berlusconi inaugurated the MOSE project (Modulo Sperimentale Elettromeccanico), an experimental model for evaluating the performance of hollow floatable gates; the idea is to fix a series of 78 hollow pontoons to the sea bed across the three entrances to the lagoon. When tides are predicted to rise above 110 centimeters, the pontoons will be filled with air, causing them to float and block the incoming water from the Adriatic Sea. This engineering work was due to be completed by 2014.

The city is divided into six areas or "sestiere". These are Cannaregio, San Polo, Dorsoduro (including the Giudecca and Isola Sacca Fisola), Santa Croce, San Marco (including San Giorgio Maggiore) and Castello (including San Pietro di Castello and Sant' Elena). Each sestiere was administered by a procurator and his staff.

These districts consist of parishes – initially seventy in 1033, but reduced under Napoleon and now numbering just thirty - eight. These parishes predate the sestieri, which were created in about 1170.

Other islands of the Venetian Lagoon do not form part of any of the sestieri, having historically enjoyed a considerable degree of autonomy.

Each sestiere has its own house numbering system. Each house has a unique number in the district, from one to several thousand, generally numbered from one corner of the area to another, but not usually in a readily understandable manner.

Venice is built on an archipelago of 117 islands formed by 177 canals in a shallow lagoon, connected by 409 bridges. In the old center, the canals serve the function of roads, and almost every form of transport is on water or on foot. In the 19th century a causeway to the mainland brought the Venezia Santa Lucia railway station to Venice, and the Ponte della Libertà road causeway and parking facilities were built during the twentieth century. Beyond the road / rail land entrances at the northern edge of the city, transportation within the city remains (as it was in centuries past) entirely on water or on foot. Venice is Europe's largest urban car - free area. Venice is unique in Europe, in having remained a sizable functioning city in the twenty - first century entirely without motorcars or trucks.

The classical Venetian boat is the gondola, (plural: gondole) although it is now mostly used for tourists, or for weddings, funerals, or other ceremonies, or as 'traghetti' (sing.: traghetto) to cross the Canale Grande in the absence of a nearby bridge. Many gondolas are lushly appointed with crushed velvet seats and Persian rugs. Less well known is the smaller sandolo. At the front of each Gondola that works in the city there is a large piece of metal called the 'ferro,' or iron. Its shape has evolved through the centuries, as documented in many well known paintings. Its form, topped by a likeness of the Doge's hat, became gradually standardized, and was then fixed by local law. It consists of six bars pointing forwards representing the Sestieri of the city, and one that points backward representing the Giudecca).

Venice has a rich and diverse architectural style, the most famous of which is the Gothic style. Venetian Gothic architecture is a term given to a Venetian building style combining use of the Gothic lancet arch with Byzantine and Ottoman influences. The style originated in 14th century Venice, where the confluence of Byzantine style from Constantinople met Arab influence from Moorish Spain. Chief examples of the style are the Doge's Palace and the Ca' d'Oro in the city. The city also has several Renaissance and Baroque buildings, including the Ca' Pesaro and the Ca' Rezzonico.

The city of Venice in Italy has played an important role in the development of the music of Italy. The Venetian state – i.e., the medieval Maritime Republic of Venice – was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing. There is music everywhere."

During the 16th century, Venice became one of the most important musical centers of Europe, marked by a characteristic style of composition (the Venetian school) and the development of the Venetian polychoral style under composers such as Adrian Willaert, who worked at St Mark's Basilica. Venice was the early center of music printing; Ottaviano Petrucci began publishing music almost as soon as this technology was available, and his publishing enterprise helped to attract composers from all over Europe, especially from France and Flanders. By the end of the century, Venice was famous for the splendor of its music, as exemplified in the "colossal style" of Andrea and Giovanni Gabrieli, which used multiple choruses and instrumental groups. Venice was also the home of many famous composers during the baroque period, such as Antonio Vivaldi, Ippolito Ciera, Giovanni Picchi, and Girolamo Dalla Casa, to name but a few.

It can be argued that Venice produced the best and most refined Rococo designs. At the time, Venice was in a state of trouble. It had lost most of its maritime power, was lagging behind its rivals in political importance, and society had become decadent, with nobles wasting their money in gambling and partying. But Venice remained Italy's fashion capital, and was a serious contender to Paris in terms of wealth, architecture, luxury, taste, sophistication, trade, decoration, style and design. Venetian Rococo was well known for being rich and luxurious, with usually very extravagant designs. Unique Venetian furniture, such as the divani da portego, or long Rococo couches and pozzetti, objects meant to be placed against the wall. Venetian bedrooms were usually sumptuous and grand, with rich damask, velvet and silk drapery and curtains, a beautifully carved Rococo beds with statues of putti, flowers and angels. Venice was especially famous for its beautiful girandole mirrors, which remained among, if not, the finest in Europe. Chandeliers were usually very colorful, using Murano glass to make them look more vibrant and stand out from others, and precious stones and materials from abroad were used, since Venice still held a vast trade empire. Lacquer was very common, and many items of furniture were covered with it, the most famous being lacca povera (poor lacquer), in which allegories and images of social life were painted. Lacquerwork and Chinoiserie were particularly common in bureau cabinets.

In the 14th century, many young Venetian men began wearing tight - fitting multicolored hose, the designs on which indicated the Compagnie della Calza ("Trouser Club") to which they belonged. The Venetian Senate passed sumptuary laws, but these merely resulted in changes in fashion in order to circumvent the law. Dull garments were worn over colorful ones, which then were cut to show the hidden colors resulting in the wide spread of men's "slashed" fashions in the 15th century.

Venice has long been a source of inspiration for authors, poets and playwrights as well as being at the forefront of the technical developing of printing and publishing.

Two of the most famous Venetian writers were Marco Polo in the Middle Ages and later Giacomo Casanova. Polo (1254 – 1324) was a merchant who voyaged to the Orient. His series of books, co-written by Rustichello da Pisa, titled Il Milione provided important knowledge of the lands east of Europe, from the Middle East, to China, Japan and Russia. Giacomo Casanova (1725 – 1798) was a prolific writer and famous adventurer best remembered for his autobiography, Histoire De Ma Vie (Story of My Life), which links his colorful lifestyle to the city of Venice.

Venetian playwrights followed the old Italian theater tradition of Commedia dell'arte. Ruzante (1502 – 1542) and Carlo Goldoni (1707 – 1793) used the Venetian dialect extensively in their comedies.

Venice has also inspired writers from abroad. Shakespeare set Othello and The Merchant of Venice in the city. Thomas Mann authored the novel Death in Venice, published in 1912. Venice inspired the poetry of Ezra Pound, who wrote his first literary work in the city. Pound died in 1972 and his remains are buried in Venice's cemetery island of San Michele. The French writer Philippe Sollers spent most of his life in Venice and published A Dictionary For Lovers Of Venice in 2004. Ugo Foscolo (1778 – 1827) born in Zante, an island that at the time belonged to the Republic of Venice, was also a famous poet and revolutionary who wanted to see a free republic established in Venice following the fall to Napoleon. The city features prominently in Henry James' The Wings of the Dove and is also visited in Evelyn Waugh's Brideshead Revisited and Marcel Proust's In Search of Lost Time.

Venice is also linked to the technical aspects of writing. The city was the location for one of Italy's earliest printing presses, established by Aldus Manutius (1449 – 1515). From this beginning Venice developed as an important typographic center and even as late as the 18th century was responsible for printing half of Italy's published books.

Venice, especially during the Middle-Ages, Renaissance and Baroque, was a major center of art and developed a unique style known as the Venetian School. In the Middle Ages and the Renaissance, Venice, along with Florence and Rome, became one of the most important centers of art in Europe, and numerous wealthy Venetians became patrons of the arts. Venice at the time was a rich and prosperous Maritime Republic, which controlled a vast sea and trade empire.

By the end of the 15th century, Venice had become the European capital of printing, being one of the first cities in Italy (after Subiaco and Rome) to have a printing press after those established in Germany, having 417 printers by 1500. The most important printing office was the Aldine Press of Aldus Manutius, which in 1499 printed the Hypnerotomachia Poliphili, considered the most beautiful book of Renaissance, and established modern punctuation, the page format and italic type, and the first printed work of Aristotle.

In the sixteenth century Venetian painting was developed through influences from the Paduan School and Antonello da Messina, who introduced the oil painting technique of the van Eyck brothers. It is signified by a warm color scale and a picturesque use of color. Early masters where the Bellini and Vivarini families, followed by Giorgione and Titian, then Tintoretto and Veronese. In the early 16th century, also, there was rivalry between whether Venetian painting should use disegno or colorito.

Canvases (the common painting surface) originated in Venice during the early renaissance. These early canvases were generally rough.

In the eighteenth century Venetian painting had a renaissance because of Tiepolo's decorative painting and Canaletto's and Guardi's panoramic views.

Venice is famous for its ornate glass work, known as Venetian glass. It is world - renowned for being colorful, elaborate, and skilfully made.

Many of the important characteristics of these objects had been developed by the thirteenth century. Toward the end of that century, the center of the Venetian glass industry moved to Murano.

Byzantine craftsmen played an important role in the development of Venetian glass, an art form for which the city is well known. When Constantinople was sacked by the Fourth Crusade in 1204, some fleeing artisans came to Venice. This happened again when the Ottomans took Constantinople in 1453, supplying Venice with still more glassworkers. By the sixteenth century, Venetian artisans had gained even greater control over the color and transparency of their glass, and had mastered a variety of decorative techniques.

Despite efforts to keep Venetian glassmaking techniques within Venice, they became known elsewhere, and Venetian style glassware was produced in other Italian cities and other countries of Europe.

Some of the most important brands of glass in the world today are still produced in the historical glass factories on Murano. They are: Venini, Barovier & Toso, Pauly, Millevetri, Seguso. Barovier & Toso is considered one of the 100 oldest companies in the world, formed in 1295.

The name is connected with the people known as the Veneti, perhaps the same as the Eneti (Ενετοί). The meaning of the word is uncertain. Connections with the Latin verb venire (to come) or venia are fanciful. A connection with the Latin word venetus, meaning 'sea-blue', is possible.

The city is situated on the river Sesia in the plain of the river Po between Milan and Turin. It is an important center for the cultivation of rice, and is surrounded by paddy fields, which are flooded in summer.

The world's first university funded by public money was established in Vercelli in 1228. Today it has a university of literature and philosophy as a part of the Università del Piemonte Orientale and a satellite campus of the Politecnico di Torino.

Vercellae (Vercelum) was the capital of the Libici or Lebecili, a Ligurian tribe; it became an important municipium, near which Gaius Marius defeated the Cimbri and the Teutones in the Battle of Vercellae nearby in 101 BCE.

Imperial magister militum Flavius Stilicho annihilated the Goths there 500 years later. It was half ruined in St. Jerome's time (olim potens, nunc raro habitatore semiruta). After the Lombard invasion it belonged to the Duchy of Ivrea. From 885 it was under the jurisdiction of the prince - bishop, who was a Count of the Empire.

It became an independent commune in 1120, and joined the first and second Lombard leagues. Its statutes are among the most interesting of those of the medieval republics. In 1197 they abolished the servitude of the glebe. In 1228 the University of Pavia was transferred to Vercelli, where it remained till the fourteenth century, but without gaining much prominence; only a university school of law has been maintained.

In 1307 Fra Dolcino the leader of the Dulcinian was tortured and burned at the stake.

During the troubles of the 13th century it fell into the power of the Della Torre of Milan (1263), of the Marquesses of Monferrato (1277), who appointed Matteo I Visconti captain (1290 – 1299). The Tizzoni (Ghibellines) and Avogadri (Guelphs) disputed the city from 1301 to 1334, the latter party being expelled several times, thus enabling the Marquess of Monferrato to take Vercelli (1328), which voluntarily placed itself under the Viscount of Milan in 1334. In 1373 Bishop Giovanni Fieschi expelled the Visconti, but Matteo reconquered the city. Facino Cane (1402), profiting by the strife between Giovanni Maria and Filippo Maria Visconti, took Vercelli, but was driven out by Theodore II of Montferrat (1404), from whom the city passed to the dukes of Savoy (1427).

In 1499 and 1553 it was captured by the French, and in 1616 and 1678 by the Spaniards. In 1704 it sustained an energetic siege by the French, who failed to destroy the fortress; after this it shared the fortunes of Savoy. In 1821 Vercelli rose in favor of the Constitution.

Vercelli is home to numerous relics of the Roman period, e.g. an amphitheater, hippodrome, sarcophagi, and many important inscriptions, some of which are Christian.

There are two noteworthy towers in the town: the Torre dell’Angelo, which rears up over the old market square, and the Torre di Città in Via Gioberti.

Vercelli Cathedral, formerly adorned with precious pillars and mosaics, was erected and enlarged by Saint Eusebius of Vercelli, to whom it was dedicated after his death. It was remodeled in the ninth century, and radically changed in the sixteenth by Count Alfieri. Like the other churches in the city, it contains valuable paintings, especially those of Gaudenzio Ferrari, Gerolamo Giovenone and Lanino, who were natives of Vercelli. The cathedral library holds the famous Vercelli Book — an Old English manuscript which includes the celebrated alliterative poem The Dream of the Rood, the 8th century Laws of the Lombards, and other early manuscripts.

The Basilica di Sant'Andrea was erected by Cardinal Guala Bicchieri in 1219. Together with the old Cistercian monastery, it is one of the most beautiful and best preserved Romanesque monuments in Italy.

The Moorish Revival 1878 Vercelli Synagogue is at Via Foà 70.

Among other noteworthy churches is Santa Maria Maggiore.

The Institute of the Beaux Arts contains paintings by Vercellese artists.

Ancient charitable institutions continue, such as the hospital founded by Cardinal Guala Bicchieri (1224) and the hospices for orphan girls (1553) and for boys (1542), and mendicant homes.

The Capitulary Library contains valuable manuscripts, including an evangelarium of the fourth century, the "Novels" of Justinian, the Leges Langobardorum (Laws of the Lombards - Germanic); also hagiographical manuscripts, not all of which have been critically examined; and a very old copy of the Imitation of Christ, which is relied upon as an argument for attributing the authorship to John Gersen and finally the famous Vercelli Book. The civil archives are not less important, and contain documents dating from 882. The extensive seminary contains a large library.